pedal wampler dual fusion Wampler Tom Quayle Dual Fusion Overdrive
SKU: 7197267726
pedal wampler dual fusion

pedal wampler dual fusion Wampler Tom Quayle Dual Fusion Overdrive

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Description

pedal wampler dual fusion Wampler Tom Quayle Dual Fusion OverdriveDEMO Wampler Tom Quayle: Dual Fusion Dual Overdrive Pedal The Dual Fusion pedal from Wampler Pedals is, we think, the first overdrive pedal specifically voiced to the new breed of fusion guitarists but its so versatile it can find a place on ANY board of ANY genre. Fusion in its current form is a fairly new concept, with roots not only in theoretical jazz but rock; not classic blues based rock, but the more technically advanced shredders that first

DEMO - Wampler Tom Quayle: Dual Fusion Dual Overdrive Pedal

The Dual Fusion pedal from Wampler Pedals is, we think, the first overdrive pedal specifically voiced to the new breed of fusion guitarists – but it’s so versatile it can find a place on ANY board of ANY genre.

Fusion in its current form is a fairly new concept, with roots not only in theoretical jazz but rock; not classic blues based rock, but the more technically advanced “shredders” that first became popular in the mid to late 80’s. One of the forerunners of this genre is Tom Quayle. Tom is the UK’s finest and most in demand exponent of modern fusion. With a rich theoretical knowledge, a student base that contains not only “regular” players but also some absolute stellar names in the industry, and a pair of ears that are completely unforgiving he has never been able to locate a pedal he can use that allows him to be the guitarist he truly is.

When we first met Tom in early 2012, he was already using our Euphoria and Paisley Drive stacked together to give him the tones he required. But, something wasn’t quite right; those pedals are voiced for other genres of music altogether so we set about honing the tones to match his style of playing. He needed more transparency, a tighter and controlled response on the bass end and when stacked up they needed to sound and feel like an amp running at high levels and give each string complete clarity and response.

Over a year later, we had the Dual Fusion. With two independent circuits that are based, but are completely modified, on the Euphoria and Paisley Drive, Tom finally has a tone that can be used when he is in full flow as a musician.

The Wampler Pedals Dual Fusion, the first pedal to be specifically voiced for the fastest growing breed of musicians around. With the most versatile stacking/signal path options available on an analog pedal, it is the foundation of modern Fusion… Add in the versatility you expect from Wampler Pedals, the Dual Fusion will appeal to guitarists from all genres at all levels.

Choosing “stacked” vs. “separate” channel switching

The toggle switch has 3 settings: 2>1, Separate, and 1>2.

Looking at the top of the pedal, the input jacks are on the right side (with an arrow pointing towards the knobs) and the output jacks are on the left side (with an arrow pointing away from the knobs). C1 means “channel 1” and C2 means “channel 2” on the jacks.

When in 2>1 mode and both channels are “on”, the guitar is routed into channel 2, then channel 1. The input cable from the guitar needs to be moved to the “C2” input jack, and the output cable to the amp needs to be moved to “C1” output jack. When in 1>2 mode and both channels are “on”, the guitar is routed into channel 1, then channel 2. The input cable from the guitar needs to be moved to the “C1” input jack and the output cable to the amp needs to be moved to the “C2” output jack. When the toggle is in the middle it is in “separate” mode, and the pedal can be used as two individual pedals, both with its respective input and output jack.

Please note that if the cables are not in the correct place, the toggle switch and effect will not work properly, but no damage is done.

Technical

  • Built in the U.S.A.
  • High grade components picked for their superior sound and response
  • 2 separate pedals in one box, each with their own gain structure – volume, tone, gain (each with two voicing options)
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SKU: 7197267726

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Russell P. Hills
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BEST BOOK that I have read in 20 years. This should be required reading in Christian schools. Every Christian who has graduated from high school should read this book. As one who has studied Church History, Hebrew, Aramaic and Greek myself, I had become very disappointed in what passes as scholarship, even among Ivy Leage graduates, in the 21st century. HOWEVER, Dr. Pitre's book is a great encouragement that there really are people "out-there" that display genuine scholarship. With Appreciation, Russ Hills, Ph.D.
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Reviewed in the United States on January 13, 2026
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Bozeman, US
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A Case for Jesus' Divine Self-Conception
Format: Kindle
This is a very meticulously reasoned argument attempting to show that Jesus had a Divine self-conception. That is, Jesus believed, and claimed, that he was God. Pitre begins by posing C.S. Lewis’ famous “trilemma” to the reader. If Jesus claimed to be God, we have three ways to respond – he was either a Liar, Lunatic, or Lord. Pitre’s work in this book strives to bring us back, face to face, with this trilemma. To accomplish this, Pitre needs to defeat another popular notion in the modern mind – that Jesus, or at least much of the Gospel material about him, was a “Legend.” If Pitre can show that Jesus did, in fact, historically claim Divinity, we will be forced to respond to his claim and answer Jesus’ own question for ourselves – “Who do you say that I am?” To accomplish this Pitre first attempts to show that the Gospels are historically reliable. He believes that, contrary to modern scholarly opinion, the Gospels were indeed written by the authors they have been attributed to (Matthew, Mark, Luke, and John), that they were intended to portray historically accurate biographical pictures of Jesus, and that they were written much more closely to the time of Jesus than liberal scholars assume (Pitre tentatively dates the synoptic Gospels all before the destruction of the Temple in AD 70). These three pieces of evidence – authorship, intent, and dating – all lead Pitre to the conclusion that the Gospels give us historically accurate information about Jesus. After setting the stage by arguing for the accuracy of our sources, Pitre delves into the synoptic Gospels (Matthew, Mark, and Luke) and tries to show that although it is not always explicit (i.e. Jesus doesn’t say “I am God, worship Me.”) even the synoptics portray Jesus as claiming Divinity. Using evidence such as Jesus’ use of the titles “Son of Man” and “I Am,” prophesy from the book of Daniel, Jesus’ “stilling of the storm,” the transfiguration, the pronouncement of the forgiveness of the parlytic’s sins, the riddle about the Son of David being David’s “Lord,”, the crucifixion, and the resurrection, Pitre makes his case. In the end, he believes that not only do the Gospel authors portray Jesus as Divine, but that these claims came from Jesus himself. Thus we are led, full circle, back to the trilemma. We can call Jesus Liar, Lunatic, or Lord, but not, according to Pitre, a Legend. This was a really interesting read from a conservative scholar. His exegesis of many Gospel passages illuminate how the Hebrew Scriptures provide a much needed backdrop for understanding each story. The Gospels are much more nuanced than we might first think and oftentimes one saying or image may evoke whole passages or concepts from the Old Testament that would have been apparent to early Jewish readers. As Pitre argues, understanding the Jewish context of the synoptic authors helps in understanding their Christology. In the end, I agree with Pitre that the Gospels are generally more historically accurate than “mainstream” scholars give them credit for. I think it’s plausible that the Gospel titles reveal their true authors and that they were written fairly early after Jesus’ death (before the fall of Jerusalem). I also agree that the Synoptics may implicitly ascribe Divinity to Jesus – although I don’t think that is an open and shut case. If there were more explicit cases in the synoptic Gospels where Jesus claimed Divinity, it would help his case. It still seems to me the only explicit sayings we have come from the Gospel of John, which even Pitre doesn’t seem to argue is historically reliable (at least he doesn’t focus on this in the book). It’s probably outside the scope of this book, but I would have loved to see Pitre address the idea of Jesus as Apocalyptic Prophet. He interacts with several scholars who accept this notion (EP Sanders, Dale Allison, Bart Ehrman, John Meier) and it’s a viable option in the world of Historical Jesus scholarship. I think it’s a relevant topic in all discussions surrounding a Historical Jesus and can be a large factor in how one answers the question of Jesus’ identity. This study is worth reading regardless of your theological persuasion, and Pitre’s arguments deserve serious consideration.
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Relief for dry mouth without gum irritation
Big improvement for users with sensitive gums. These relieve dry mouth during the night almost as well as the regular tabs. Some complained about a residual gel left on the gums. 🙄Just wipe it off. It’s a small thing.
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Reviewed in the United States on May 4, 2026
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Bronx Mike
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An easy fix for dry mouth
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This version doesn’t work
I used these 2 nights in a row. I was hoping Oracoat found a solution to the problem people like me have with the regular Xylimelts: irritation of gums. As others have noted the “sensitive” version doesn’t melt and the goo that remains can be difficult to remove. I didn’t have too much trouble after the first night. However, the second day after use, it was so hard to get the remains out, I wound up with a very sore spot from digging it out. I will toss the rest. It’s too bad this effort fizzled. I hope Oracoat will find a solution For sensitive mouths. In the b meantime, I will use the original for a few nights and then stop before repeating. The idea behind the original product is fantastic. Unfortunately this attempt to make it usable for people with sensitive mouths hasn’t worked. Please try again.
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